Books, Photographers, Photography

Inevitable personalities

10 44

Sally Mann

Why I like her, because of one photograph she made, the most erotic I have ever seen. None of the nude photographs can come close to this photograph in sense of erotic feeling it creates in a male human’s mind.

Sally mann

The wet cloth, the stickiness of the cloth with the body, a hand with three fingers in the frame which holds the body on the right top of the photograph (obviously male hand), the cleavage, the shrinkage in the cloth due to wetness, the tight crop of the photograph – if you look again there are no space left around the body in the frame, everything made this particular photograph as an outstanding one. Though she made many nude kid photographs and she is controversial too in that regard, this one stands out in her portfolio and one of my favorite.

Steve Mc Curry

One of the well-known personality in photography and without talking about him, compositional topics would never get complete (leave Henri-Cartier at this moment). The below image is one of my most favorite in his gallery.

Steve Mc curry

Two bullock carts parked adjacent to a wall and an another bullock cart about to be parked, the bull shall be untied from the cart in few moments and the bull appears like it is watching the elder woman who is appears to be having a hump as his. The elder woman is walking away from the frame with the help of her walking stick, her left leg stepping forward and her whole weight have been supported by her right leg. All the three legs are visible to the viewer, if you watch again these three legs matches with the three legs of the bull (deliberately avoided the other leg of the bull inside the frame, either while capturing or post capture) is simply sheer brilliance.

Talking about the other features of the photograph would be colour and the overall mood. The green colour door has been complimented by the red colour interior finish inside the right side cart, may be perfect coincidence but it adds value to the photograph. The mood here is slightly esoteric, because of the noise – due to low light ISO boost or deliberate post capture addition, either way it adds value to the photograph. If you look again the photograph,it is underexposed by almost a stop, which again perfect combo with the mood here.

And some interesting things about the master, Steve knows India better than an average Indian knows India, yes he travelled to India 82 times till date and an another interesting thing is he did not locked himself in Black & White images which people tend to give lot of explanations. He took very few photographs in B&W.

 

Michael Freeman.

Couple of months back, I accidentally found his work in internet and are highly impressive. He wrote several books including The Photographer’s eye, The photographer’s mind and I happen to go through those books in a book fair here in Chennai, I have never come across such kind of books, which talks about composition, how a small point/line/spot/anything in any photograph is perceived by human brain with diagrammatic explanations.

Micahel Freeman

The above photograph have been etched in my mind from his work. The first bull from the viewer is looking down and the next one watching straight, but both their horns have placed in such a way that it forms a continuous vertical wavy pattern. If you look at the first bull’s neck where it ends and reaches the hump, from there on the herdsman’s hand takes the curve up and completes itself by keeping his hand on his head. This is the interesting part; the herdsman’s hand and the second bull’s horn bend are somehow parallel to each other and create a balance in the photograph. And the photograph being in Black & White makes all sense together, the first bull’s neck in black colour and herdsman’s shirt being in white colour creates this as a compelling photograph.

After watching different photographs from several masters and reading different books about photography, my conclusion towards a good photograph would be “There cannot be a set of exhaustive compositional rules to make a good photograph, since a unique and good photograph will come with its own rules which may or may not exist before”.

Kindly note all the above three photographs have taken from their websites.

About the author / 

Navanee Viswa

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