Photography

Constraints

13 8

 

 

  • Human eyes do not have f no.

 

  • Human eyes can see more light than camera

 

  • Human eyes can’t freeze and store pic’s

 

  • Human eyes do not see in a regular shape

 

  • Human eye’s see in a particular angle, 3 degree at a time.

 

  • Colours

 

 

  • You got it, right. You can’t blur a particular part in front of you and see the remaining things in front of you (you can’t see both at a time). Your eyes see in HDR, you have no control over it. Whereas you can make an image with your camera in such a way that it makes interesting by focus on one simple area and blur the remaining part and the results would be mostly interesting, since your eyes can’t see that image in real life.

 

  • Human eyes can see almost double the amount of light than your camera sees. Yes, you remember you see something really beautiful and when you take it in camera and see it, it is not what you just saw.  If you want to see what you seen via your naked eye, you have to take HDR shot by exposing for different lights in the scene and combining into one image to match the eye’s performance, than it looks like the one you seen. (careful processing is must one) You might have seen the hollowness in few images.

 

  • You can see a very fast-moving object and able to follow as well but then your eyes can’t store and reproduce it (for that matter none of the image can be reproduced exactly in the eye). We have high-end cameras to freeze motions.

 

  •  Our eyes do not see in a regular shape, whereas your camera sees in a regular rectangular shape. When you take a picture and put a border in general, pictures will look good, (and that is why one of the rules in contests are no borders).

 

  • You got it; our eyes can see only 3 degrees in a given time, which is why you have to take the eyes all over the frame, keeping things in potential places inside, so that you can take the eyes all over the frame interestingly (at the same time you should not complicate by including more objects inside the frame).

 

  • Colours itself a very large area to discuss. Sometimes you might have noticed a very simple frame can be compelling, if the image is well composed of colours, even when the frame has nothing much to show. Learn colours, it is interesting.

 

Conclusion

Though the above all things are neither a mind-blowing discoveries nor an exhaustive list to make meaningful photographs, but understanding them well can lead you to take better photographs for sure. David du Chemin says as Vision driven workflow and common terminology people uses is Pre-visualize. Both are asking one simple question – what you going to do after pressing the shutter button, which reveal an another  question, why do you need to take this image, what do you going to do with this image. If you have pretty decent answers for the above questions probably you are right. Go ahead click and share as well.

Photography is a craft; dare to learn it by day by day. People have achieved things after their continuous hard work towards their love.

A book about composition by Richard Zakia & David page. Click here.

Michael freeman’s books talks a lot about composition and how to make interesting photographs.

If you agree comment it and let me know or if you don’t agree than explain me how.

 

 

About the author / 

Navanee Viswa

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